Some of them might even remember the events with the help of this book. What drives these characters? It's well worn territory. All we have to go on is the photos. At some point, youthful indiscretions lose their patina of experimental freedom and sag into middle-aged nihilism. We follow the group over two days - then a new day dawns, streets are cleaned, Igor? Although the photos appear to be mostly candid, they exude a vibe of presentability, which leans almost, but not quite, into artifice. Young shooters might view these photos as fodder for the next two-day binge.
With no true cover or spine the body is a bit flimsy. From Rebel Without a Cause to Easy Rider to Jackass to graffiti, punk, rap, or any number of creative pastimes, the tradition of restive youth connects, fascinates, and sustains. It won't be easy to identify shelved among other books. The book contains no explanatory text, and the people in the book seem content to remain tight-lipped, unless specific activities demand otherwise. Due to the immediate directness of the photographs, the wise dramatic composition that leads us through two nights and a day, and the clever assembly of documentary and staged shots with cryptic patterns and signs the great agonizing questions shine through under the surface: What drives these characters? I'm not sure what the design reasoning was, but it gives the project an experimental and unusual feel. You feel the hangovers, you're inside the room drinking with them, standing around the fire staring in the night, having sex in the kitchen, on the floor. I was thinking about Rimaldas Viksraitis' great work, which was exhibited together with Martin Parr two years ago, who was working in a much more involved way. This is probably because from the comfortable perspective of older age, such behavior seems counter-intuitive and self-destructive. Good thing it comes with cardboard slipcase for support. They covered a lot of ground in two days. Some of them might even remember the events with the help of this book. Or simply the question about the future. What follows the exuberant celebration is not a regulated everyday life, but a permanent hangover with too many cigarettes, too much alcohol, too much posing and aimless sex, now with kitchen, kids and caboodle between dirty clothes, torn mattresses and boiled potatoes, flickering television and computer screens and washing machines. Or, put another way, subversion is easily subverted. The storm of youth rages within the clique going full blast. Igor's book took me by storm - a raw, anarchic and intensive shooting of a group of young people in Russia. The omniscient gestalt if you will, given an added boost here by participants unconcerned and open to being photographed. A photo later in the book of a toddler caught amid domestic chaos explores this theme, but just for a moment before returning to revelry. The older set can read this on the lazy boy, clucking disapproval while vicariously relishing their yesteryears. I'm speculating that they were shot with a powerful digital camera of some type, one that can shoot in any light no matter how dim, and that stops down to get as much as possible in focus. Reviewed by Dan Abbe http: They wouldn't look out of place in a magazine article on troubled youth. These are just a few, and they won't be the last. Nightly booze-cruises and parties in deserted demolition houses with unbridled alcohol and drug use, with sex, violence and pornography. There is an ambivalence view on the clique, even if he was working very close to the people.
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